By Peter Grose
The untold tale of an remoted French neighborhood that banded jointly to provide sanctuary and look after to over 3,500 Jews within the throes of worldwide struggle II
Nobody requested questions, no one demanded funds. Villagers lied, coated up, procrastinated and hid, yet most significantly they welcomed.
This is the tale of an remoted neighborhood within the higher reaches of the Loire Valley that conspired to avoid wasting the lives of 3,500 Jews lower than the noses of the Germans and the warriors of Vichy France. it's the tale of a pacifist Protestant pastor who broke legislation and defied orders to guard the lives of overall strangers. it's the tale of an eighteen-year-old Jewish boy from great who solid 5,000 units of fake id papers to save lots of different Jews and French Resistance warring parties from the Nazi focus camps. And it's the tale of a group of excellent women and men who provided sanctuary, kindness, harmony and hospitality to humans in determined want, realizing complete good the results to themselves.
Powerful and richly instructed, a very good position to conceal speaks to the goodness and braveness of standard humans in amazing conditions. eight pages of B&W illustrations
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Extra resources for A Good Place to Hide: How One French Community Saved Thousands of Lives in World War II
Selb confronts his past with what appears to be disarming honesty: “I’d been a convinced National Socialist, an active party member, and a tough prosecutor who’d also argued for, and won, the death penalty . . I had faith in the cause and saw myself as a soldier on the legal front. ”17 No cowardly evasion here: Selb appears to put it all on the table, manfully taking responsibility for his youthful convictions. 18 But this admission actually conceals, precisely in its stalwart assertiveness: broad statements stand in for the enumeration of specific crimes and individual responsibility.
Com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-03-13 Mighty Aphrodite—Or How to Have It Both Ways Holocaust as Fiction undeniably modest woman. , Schamstelle) with the other. But this is, of course, a losing proposition because the one hand is (thankfully) never sufficient to cover both breasts, and even when the artist allows her to make use of her long and flowing hair (as in the famous fifteenth-century Botticelli painting), she never quite manages to conceal her nudity, which, of course, is the whole point.
All we need now is one additional ingredient—already adumbrated here— namely, Selb’s unknowing complicity. This is supplied by the evil Korten, who, we discover (and this is the novel’s real discovery), has used Selb as a pawn throughout the Nazi and the postwar years. Though undoubtedly trite, the chess metaphors reveal the detective’s self-image as he moves toward solving the book’s real crime: “Of course I’d let myself be manipulated as a prosecutor, I’d learned that much after 1945 . . ”24 Clearly, Selb seems to prefer to have become inculpated via Nazism— presumably because his involvement could then be explained away as youthful delusion set aside in more mature years and with the benefit of hindsight.
A Good Place to Hide: How One French Community Saved Thousands of Lives in World War II by Peter Grose